Social climate is a relatively new concept measuring people’s wellbeing (Duguleană and Duguleană 2015), operationalized by perceptions of people’s conditions of living. It has been used in the Eurobarometer surveys since 2009 but still gained little attention in academic research. In this paper, issues in constructing an index of social climate are being discussed. As the rates of meaningful responses to questions on dif­ferent aspects of the social climate vary greatly, the author proposes a revisited version of the social climate (...) index as well as assesses its internal consistency and usability. The article presents the results of the regression analysis on the impact of factors related to the social climate across the three Baltic countries. The findings suggest that the political competence, the type of community, and the employment status account for most differences in social climate perceptions. (shrink)

In the twentieth century, certain locations, symbols, and ritual practices along the Italian- Slovenian border were subject to various social and cultural representations. During that century, they primarily represented a subject of disagreement between both ethnic communities; however, in the last ten years, some groups and local authorities have been seeking opportunities to live together in coexistence.

Two philosophers and prominent public figures explore the spiritual and cultural framework within which Russia's crisis and prospects for social renewal must be understood. Their discussion ranges over several main areas of concern in Russia today: the nature of the person and her capacities as social actor, the forms of sociality Russia has known as seen against the background of Orthodoxy and Communism, and Russia's tragedy during the seventy-five years of Communism. A third path is envisaged for Russian renewal based (...) on geopolitical, cultural, and spiritual constants in the history of the nation. (shrink)

The study of individual experience during the performance of a psychological task using a phenomenological approach is a relatively new area of research. The aim of this paper was to combine first‐ and third‐person approaches to investigate whether the strategies individuals use during a working memory task are associated with specific task conditions, whether the strategies combine to form stable patterns, and whether the use of specific strategies is related to task accuracy. Thirty‐one participants took part in an experiment in (...) which they were instructed to remember colors, orientations, or positions of stimuli presented in a change detection task. After every 7th–15th trial, participants took part in an in‐depth phenomenological interview in which they described their experiences during the trial that immediately preceded the interview. Qualitative analysis revealed a set of 18 strategies that participants used while performing the task, which we divided into active and passive strategies of encoding, maintenance, and retrieval. Quantitative analysis revealed that while many strategies were used in all task conditions, some strategies and their combinations may be better suited to the specific task demands, while others are more general in nature. The results also suggest a distinction between strategies for encoding object identity and spatial features. Finally, our results did not provide robust evidence for a relationship between specific strategies and task accuracy. (shrink)

Next SectionThis paper proposes an extension of Dependency Tree Semantics (DTS), an underspecified formalism originally proposed in Robaldo (2007). The crucial advantage of DTS as compared to other contemporary proposals is its ability to represent Independent Set (IS) readings (a.k.a. scopeless readings), e.g. cumulative and collective readings. DTS achieves the expressivity needed to represent IS readings because it underspecifies Skolem-like functional dependencies. This paper extends DTS by introducing additional meta-constraints in First-Order Logic dedicated to disambiguating underspecified structures. However, it is (...) worth noting that the meta-constraints are independent from DTS, and could be easily re-implemented in any underspecified theory. The meta-constraints achieve flexible disambiguation, in the sense that they allow ambiguous structures to be specified independently of the linguistic (rather than logical) knowledge used. Secondly, DTS, equipped with the meta-constraints, becomes an expressively complete formalism in the sense of Ebert (2005). Expressive completeness is a desirable property for an underspecified formalism, because it allows a representation for each possible subset of available readings. (shrink)

There are profound methodological challenges facing microdosing research. One way we can address some of these methodological issues is by understanding how psilocybin microdosing fits in the broader existential context of people’s lives. We recruited participants who underwent psilocybin microdosing on their own and consented to being monitored for harm mitigation purposes. We combined momentary ecological assessment and detailed retrospective interviews. Participants reported loosening of mental structures (i.e., less intense strength of thoughts, tangential stream of consciousness), increased salience of external (...) stimuli (varyingly associated with greater interest in otherwise mundane activities, as well as sensory overload), an increase in flexible cognition, a decrease in stable cognition, and various ego-dystonic contents. Highly structured environments were conducive to positive appraisal of experiences and vice versa. Momentary ecological assessment and retrospective interviews yielded differing accounts of microdosing experience. We relate our findings to stable and flexible cognition, as well as the notion of salience. We point out the necessity for systematic mixed methods studies to better characterize the lived experience of taking low doses of psilocybin. (shrink)

Higher states of consciousness in which the human mind can transcend the boundaries of logic and reason are envisioned as natural to the experience and potential growth of every human being. So far they have been mostly monitored by electrophysiological methods. In this study we were particularly interested in discovering the molecular transcriptional basis of higher states of consciousness. In addition to phenomenological reports of meditators who participated in this study the generated higher states of consciousness were also EEG recorded. (...) We assessed the whole genome gene expression analysis of long-term meditators in four separate trials and detected significant differential gene expression in association with higher states of consciousness. The number of differently expressed genes as well as high proportion of genes themselves differed between meditators. Despite this, gene ontology enrichment analysis found significant biological and molecular processes shared among meditators’ higher state of consciousness. (shrink)

Two posttranslational lipid modifications present on all Hedgehog (Hh) morphogens—an N‐terminal palmitate and a C‐terminal cholesterol—are established and essential regulators of Hh biofunction. Yet, for several decades, the question of exactly how both lipids contribute to Hh signaling remained obscure. Recently, cryogenic electron microscopy revealed different modes by which one or both lipids may contribute directly to Hh binding and signaling to its receptor Patched1 (Ptc). Some of these modes demand that the established release factor Dispatched1 (Disp) extracts dual‐lipidated Hh (...) from the cell surface, and that another known upstream signaling modulator called Scube2 chaperones the dual‐lipidated morphogen to Ptc. By mechanistically and biochemically aligning this concept with established in vivo and recent in vitro findings, this reflection identifies remaining questions in lipidated Hh transport and evaluates additional mechanisms of Disp‐ and Scube2‐regulated release of a second bioactive Hh fraction that has one or both lipids removed. (shrink)

Throughout his life, Jurij Lotman lived at the crossroad between different worlds, ages, and cultures. The many authors, cultures, and ideas that shaped his thought and influenced his theories are scattered at either side of countless geographical, political, and cultural borders, beginning with the one that separates “Russian culture” from “European culture,” porous and ambiguous as any boundary.The task of reconstructing how Lotman’s ideas came to being, how they shifted their meaning as their context shifted, is more and more (...) a crucial task not only for the historian. Many Lotmanian concepts, first and foremost that of semiosphere, are acquiring major relevance not only for semiotics itself and its branches, such as the rising political semiotics, but also for many neighboring disciplines, such as cultural studies and political sciences. Therefore, gaining a better understanding of the meaning of Lotman’s ideas could be of value also for the applied semiotician or the political analyst.The present paper is the result of research started in the Lotman Archives in Tallin, Estonia. Through an analysis of archival material, it aims at reconstructing the origins and meaning of the most political tropes of Lotman’s theories, especially what I will call his theory of the political subject. In the first part, I will argue that, in order to understand this political aspect of Lotman, it is necessary to take into consideration the intellectual debates inside which the author started his intellectual journey in 1930s–1940s Soviet Russia, and how he sought answers to those debates in the works of G. W. Leibniz.In the final part of the paper, I will try to show how this reconstruction of Lotman’s history could contribute to the contemporary debate in semiotics and other connected disciplines. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Belief and Context Determinacy in Interpreting FictionChristine Richards (bio)1Context Determinacy and the Interpretation of FictionThe Pragmatics of ReadingThe basic pragmatic structure of the reading of fiction has been described as a communicative context which has a speaker who performs the speech acts represented by the text and a hearer (addressee) to whom the speech acts are directed [Adams 12]. This model is based on the assumption that the reader (...) and the writer share not only a common language but a common context, which clearly presents problems for readers of fiction, where generic conventions as well as other cultural conventions of writing, such as satire and irony, or the separation of writers and readers by time, have to be contended with. The code model, which assumes that the writer and the reader share a common context, can be represented as shown in figure 1. Click for larger view View full resolutionFigure 1.W = writer, S = speaker, H = hearer, R = reader.However, it has also been argued [Eco, Role of the Reader 40; Eco, Semiotics 69; Richards 262] that no theory of a text is possible without a theory of contexts, since texts are processed and given meaning by a synthesis of propositions in them with those which originate in readers’ supplied contexts; and since the contexts of readers consist, first and foremost, of their background knowledge, beliefs, and culture, which are fundamentally interrelated, interpretation is inevitably determined by extralinguistic as well as linguistic factors. The context model might be represented as shown in figure 2. Click for larger view View full resolutionFigure 2.W = writer, N = narrator, R = reader.[End Page 81]The Extralinguistic ContextA good example of the role played by extralinguistic contexts in the interpretation of a text is to be found in the multiple interpretations of the sentence “The red sun was pasted in the sky like a wafer,” from Stephen Crane’s The Red Badge of Courage [64]. Susan Horton, in her discussion of accounts of this sentence [10–14], shows both how R. W. Stallman interprets Crane’s antiwar fiction as a Christian allegory where the word “wafer” functions as a symbol of the Eucharist [130], and how Marston La France rejects Stallman’s interpretation on the basis that Crane is not a Christian, and certainly not a Catholic [99–100]. La France’s rejection of Stallman’s Christian context for atheism is rooted in his interpretation of the sun as a repeated image in the co-text, which he believes signifies nature’s indifference to death, war and heroism. Here the lexemes “pasted” and “wafer” become images of a seal at the end of a legal document, implying the finality of death in war. Milne Holton interprets the image of the sun as a characteristic of the symbolic imagination of the character Henry Fleming rather than of the writer (Crane) [90–91].Horton documents but does not theorize the determining features of these contexts, but this problem can be tackled by applying Marcello Pagnini’s theory of “the introjection of the referent” [9] to explain how the contextual semes of readers, determined by different cultural systems, are introjected into texts. Following Jurij M. Lotman’s typology of cultural systems [Lotman and Uspenskij], Pagnini cites as relevant systems ethics, ideology, history, philosophy, myth, the law, anthropology, politics, ethnicity, literature, aesthetics, psychology, rhetoric and symbolism [34], which represent fundamentally interrelated complexes of systems that make up societies. If Pagnini’s model is taken with that of Richards [267], which conceives of interpretation as a synthesis of propositional inferences in texts with those drawn from readers’ contexts, these two models provide a methodological basis for explaining how the contexts of Stallman’s and La France’s conflicting interpretations derive from philosophically opposed belief systems within culture—Christianity and atheism. These models also help to explain Holton’s interpretation as one located within a different philosophical context, that of the convention of character analysis in fiction, which during the last few decades has developed into the more theoretically sophisticated field of narratology. It should be stressed, however, that interpretations themselves always take place within historical and interactive frameworks, which are influenced... (shrink)

This volume is based to a large extent on the understanding of biosemiotic literary criticism as a semiotic-model-making enterprise. For Jurij Lotman and Thomas A. Sebeok, “nature writing is essentially a model of the relationship between humans and nature” ; biosemiotic literary criticism, itself a form of nature writing and thus itself an ecological-niche-making enterprise, will be considered to be a model of modeling, a model of nature naturing. Modes and models of analysis drawn from Thomas A. Sebeok and (...) Marcel Danesi’s Forms of Meaning: Modeling Systems Theory and Semiotic Analysis as well as from Timo Maran’s work on “modeling the environment in literature,” Edwina Taborsky’s writing on Peircean semiosis, and, of course, Jesper Hoffmeyer’s formative work in biosemiotics are among the most important organizing elements for this volume. (shrink)

I have conducted a similar investigation on a text by a different author. The results of this investigation, which was performed on a text passage of 100,000 letters, are presented in the following tables from which one can see how and to what extent the limit theorems of the calculus of probability actually become evident.

The paper proves that a historical method in Marxism is not identified to a dialectical method. The logic of history and the logic of its analysis in Marxism do not always coincide. The Logical coincides with the Historical only in eternity as it actually occurs in the works by G.V.F. Hegel. Eternity which has already witnessed everything does not know history any more. In the same way, history also begins there where the eternity comes to an end. Therefore, artificial identification (...) of the Logical with the Historical in Marxism led sometimes to actual mistakes. It is no wonder that it has always caused discussions in Marxism. They are mainly explained by the fact that the deductive, abstract-to-concrete method in which the “General” appears before the “Concrete” is an anti-historical method in its Nature. In real human history the “General” which is generalization of many “Concrete” could not appear before the latter in any way. For this reason, the real historical materialism needs an inductive method of knowledge. Only in that case historical materialism will cease to remain the soviet “histmat” and becomes the real form of a new world outlook. The author is of the opinion that the Party spirit of the Soviet philosophy promoted preservation of the anomalies mentioned in Marxism. The open discussion could help to find valid but not inherited from Hegel relation of historical and logical methods in Marxism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:AfterimagesSvetlana Boym’s Irrepressible CocreationsCristina Vatulescu (bio)[End Page 98]To most people Svetlana Boym was known as a writer: a prolific writer of books marked by originality, insight, and irreverence for intellectual pieties, no matter how fashionable. The media artist side of her that diacritics presents in this issue was chronologically last of her artistic personas. A whole string of these bifurcated the bio blurbs at the end of Svetlana’s monographs. (...) In the first, Death in Quotation Marks (1991), she introduced herself as a playwright and assistant professor of comparative literature at Harvard University. In the second, Common Places: Mythologies of Everyday Life in Russia (1994), she was also a writer and filmmaker. In her third, most well-known monograph, The Future of Nostalgia (2001), she was again a writer, and this time, full professor at Harvard, but also, as the back cover blurb reminds us, “a native of St. Petersburg who lives in Cambridge, Massachusetts.” “Native” was a word she would have pronounced with an accentuated accent and that she wore as a mask, as another persona. For the record, she did not just write monographs. There is also a novel, Ninochka (2003), that she rewarded herself with writing after receiving tenure at Harvard. After she became a novelist, she also collaborated on a book on Kosmos, the Russian space project and the photographs of its ruins.1 (“Jacob,” her then research assistant recalls her saying one day, “go to the library and find me all the good books on Kosmos.”)2 Her creativity was hard to contain and performative—the whole world was her stage—thus all her authorial and artistic personas. It is just at the end of Another Freedom (2010), her last monograph, that she introduced herself to readers as a media artist.Svetlana’s biographies were not accidental inconsistencies but sustained exercises in self-fashioning, and lately, she told me during our last conversation, self-editing. “There are writers with biographies and writers without biographies,” she often quoted Boris Tomashevsky’s quip as an intriguing prelude to her influential critique of “the death of the author.”3 She launched that critique as the polemic of her dissertation (overseen by Barbara Johnson and formalist scholar Jurij Striedter) in the 1980s, when “the death of the author” had congealed into critical dogma. In the ensuing book, Death in Quotation Marks, she explored the mythologies of the modern poet and critic, including his/her figurative and literal deaths, arguing that the “relationship between texts and life remains a vitally critical issue.”4 She pioneered then her signature critical genre, a writing that would “allow for the incorporation and superimposition of ethical, historical, biographical, and textual issues.”5 At the same time, the book already contains, smuggled inside academic prose, fragments that presage her much later artist’s manifestoes and practices:I wish to preserve the difference between text and life and to avoid subjugating one to the other. In order to open and explore this space of difference we have to trace the ways in which the artistic constructs can, on the one hand, form and inform ordinary experiences and, on the other hand, be deformed and defied by them. This double movement invites us to see literariness or a creative aesthetic impulse in everyday life and to liberate these aesthetic experiences from the confines of “literature” and literary institutions. At the same time, it helps us to deaestheticize literature somewhat and defamiliarize again the violence, pain, and love that it contains.6 [End Page 99]So it is fitting to consider Svetlana’s art in relation to her writing and to her biographies, her crafted fashioning and editing of herself. Far from any sort Gesamtkunstwerk—a concept she detested, these were cocreations, whose contingent coexistence inspired thoughts on difference and a heightened sensitivity to the beauty of cracks, hinges, border lines, and transit zones.Cocreation was a concept she developed and lived for many years; she theorized it at length in her last book, equating it with freedom.7 Among her cocreators were the people around her as well as thinkers, artists, and philosophers with whom she engaged passionately. For her digital art... (shrink)

Some years ago a Belfast funeral undertaker was on holiday in County Down. One sunny evening he climbed to the highest point in the Ards Peninsula. The visibility was good and the view magnificent. On one side lay Strangford Lough with Slieve Croob and the Mourne Mountains in the background. On the other was the Irish Sea with the Isle of Man, the Cumberland Hills and the southern Scottish uplands in the distance.

We investigate to what extent theorems about quantum mechanical or classical entropy can be generalized to functionals of the type ρ→Tr f(ρ), or ψ→∫f(ψ)dμ, respectively, wheref is an arbitrary concave function.

A sensible code of right and wrong for public officials everywhere, this book explores what ethics and the public trust mean. It includes sample codes of ethics and examines ways to improve the ethical climate of government. Excerpted and adapted from a longer work, Ethics, Conflicts, and Offices: A Guide for Local Officials, which also covers conflict of interest and office-holding laws in North Carolina.

Publikace představuje první a jediný zcela dokončený díl pamětí českého Američana, orientalisty a polyglota Aloise Richarda Nykla (1885–1958). Velmi čtivou formou se v nich věnuje svému mládí v Rakousku-Uhersku a pozdější pouti světem, např. ve Švýcarsku, Německu, USA, Mexiku, Egyptě a Japonsku. Po svém návratu do USA v roce 1916 nastoupil dráhu univerzitního profesora a později se stal světově proslulým specialistou na andaluské a srovnávací literatury. V pamětech, napsaných na počátku třicátých let minulého století, se snaží zhodnotit jak svůj život (...) i způsob, kterým nabyl své pozoruhodné jazykové znalosti přímým i teoretickým studiem po celém světě. Edice je doplněna úvodními studiemi, v nichž editor Josef Ženka zpracoval životní osudy autora. Text bohatě ilustrují unikátní fotografické a archivní materiály pocházející z pozůstalosti A. R. Nykla. (shrink)

Материалы сборника предназначены для специалистов.